Trevor Francis meets Jeff Lynne
(taken from
the Daily Express newspaper in 1976).
Soccer
and the world of pop music often go hand in hand.
Football stars are rarely far from their favourite Lp,
while Elton John and company are anxious to lend their
expertise to the game they love. England striker Trevor
Francis is a close friend of Jeff Lynne, leader of the
Electric Light Orchestra; Jeff has one of Trevors
international shirts while the player was given of of ELOs
gold discs as a souvenir. In the Nottingham Forest stars
recently published book Trevor Francis - anatomy of
a million pound player by Rob Hughes with Trevor
Francis (Worlds Work) there is a fascinating
chapter which includes a conversation between the two
friends. Here are extracts:
Trevor Francis: Had you had ambitions to play football yourself?
Jeff Lynne: No. I was never interested in playing,
except at school.
TF:
Were you in the school team?
JL:
I used to play after school. Its a funny
thing that all footballers would like to make a record,
and all members of groups always want to play football. I
dont know why it is.
TF:
I dont want to make a record, but I love
music. Its my hobby. Jeff said he would teach me
the guitar but Im not too good at learning. Its
like coaching at football, I just cant be bothered
with it. I think it would be the same with music. If for
instance I could get hold of a guitar and play it, Id
love to do that, but Im sure it would take such a
long time for me to learn.
JL:
Well thats always the thing. Everybody says
Oh, Im sure I could do that and like
you say Trev, you obviously dont want to learn
because if you did, you would.
TF:
Its the same with tennis, I could be better
at that if I wanted to, but Im happy now just to go
out and have a knock-around, go out on a court and enjoy
it, I dont want to have lessons. Its like
driving. I never wanted to pass my test. But its
the same with all games for me.
NEITHER
OF YOU IS FINANCIALLY INSECURE, BUT DOES THE INSECURITY
OF BEING RATED AS GOOD AS YOUR LAST GAME OR LAST
COMPOSITION HELP YOU UNDERSTAND EACH OTHER?
JL:
I think so, its almost like that. We are
both in artistic professions. Trevor has his thing where
he cant sleep after a match, he keeps reliving the
moves. Thats the difference. With us, when were
finished playing, were always in a position where
theres a bar and we can have a laugh and unwind
afterwards, whereas Trevors profession doesnt
allow him to do that. But there is the same sort of
feeling whether youre going out there to play
football or up on stage..youre playing before
people.
TF:
Actually there was one time when I did go up on
stage with Jeff and shared the feeling of singing - or
trying to - in front of 40 or 50 people. It was a New
Years Eve party the year Alberto Tarantini came
over. There were four members of the group over at Jeffs
house and we set up the amplifiers after 12 oclock.
I can remember there was Alberto, myself, Keith Bertschin,
Garry Pendrey, Malcolm Page from Birmingham and John
Richards from Wolves. Anyway, I was on wine that night
and I think Jasper Carrott must have slipped something in
my drink! The group started with Auld Lang Syne,
then Alberto requested Telephone Line, which
was the only ELO number they did all night. Then, with me
sharing lead vocal with Jeff, we did Get Back
by The Beatles. It seemed to go down well, but I still
havent received a contract from them, so they
couldnt have been that impressed.
JL:
Its just that we never had time to put one in
the post, Trev. But its funny, you mentioning
Alberto being at that party. Do you remember when he left
we had another little party and gave him the album Discovery?
He must have been doing his stuff because its just
become the No.1 is Argentina.
PART
OF TREVORS VALUE IS THE ABILITY TO IMPROVISE - CAN
YOU ACTUALLY DO THINGS OFF THE CUFF DURING A SHOW?
JL:
You can only do subtle things, really. Youve
got to stay within the framework of the piece because
there are seven of us and the others are still playing it
exactly the same. So the only way you can do it is within
the same chord structure, just improvise through that.
TF:
In football, even though I like to do unusual
things, I still cant be too individual. If Im
told to play on the right, Ive got to stay there or
else it affects the balance of the team. And obviously, I
have always had to be sensible about it and play as a
member of the team.
JL:
Thats true, but the great thing thing about
Trev is hes always striving to be better. One thing
you sense with him that you sense with very few players -
its like a sigh of relief when he gets the ball,
you sense somethings going to happen. You cant
predict - it might be something totally outrageous or a
fabulous pass...but its rare he actually fluffs it.
TF:
Sometimes its luck, you know. Sometimes you
dont plan and it works out.
JL:
You see, at Birmingham a couple of yearago, youd
suddenly see Trevor shoot off on one of those runs. He
had a spell of doing them...youd see him surrounded
by defenders near the corner flag and hed somehow
manage to keep the ball. Then hed either cross it
or have a shot. That was what used to draw gasps.
THOSE
DAYS MIGHT BE OVER - AT FOREST HES IN A MORE
DISCIPLINED SET-UP.
JL:
Exactly. At Birmingham, Trevor was at one point a
one-man team.
TF:
Obviously if players want the ball, and if they are
good and they get into positions to receive it, then you
pass it to them. But it depends which area Im in -
if I get the ball in an attacking area and theres
space, I always do expect myself to attempt something. I
suppose I put pressure on myself to create things, but
you dont feel it like I do, do you?
JL:
Not that sort of pressure, no basically because Ive
got a passion for recording.
TF:
You have to keep churning out great stuff all the
time, but you dont feel any effect. Once an albums
done, all you want is to get back and do another.
JL:
You used to be a lot worse. It doesnt get to
you so much now, you shrug a lot of it off.
TF:
Thats right. I cant put my finger on it,
but Ive changed somewhat since Ive been at
Forest. I think Ive hardened.